An Art on a Postcard Mini Auction in Collaboration With The Bomb Factory

12 MAY 2022 - 26 MAY 2022
81. Farnaz Gholami - Small Appreciation of Sage Green 81. Farnaz Gholami - Small Appreciation of Sage Green - BACK 81. Farnaz Gholami - Small Appreciation of Sage Green - DETAIL
81. Farnaz Gholami - Small Appreciation of Sage Green
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81. Farnaz Gholami

Small Appreciation of Sage Green

Watercolour and Pencil on Paper 

2022 

A6 (15x10cm) Original Artwork 

Signed on Verso

This auction has now ended

An Art on a Postcard Mini Auction in Collaboration With The Bomb Factory (81/108)

Notes


Education 

 

2019 
The Slade School of Fine Art (UCL), MA in Fine Art, Painting, London, UK  
2017 
Chelsea College of Arts (UAL), Graduate Diploma in Fine Art, London, UK 
2013 
Brandeis University Post-Baccalaureate in Fine Art, Studio Art, Massachusetts, USA 

 

Select Exhibitions/Awards 

 

Selected Exhibitions 
 
2022 
Weary Harold, Asc Gallery, London, UK 
2021 
Wild Grapes, Unit 3 Project Space, London, UK 
Duo Show: Harbinger of a Sweet Song, Yammamoto Keiko Rochaix Gallery, London, UK  
Echo, Eco, Co, O, Heck! , Proposition Gallery, London, UK 
2020 
Squeezed, Karen Tronel Gallery, London, UK 
2019 
Limbo, The London Summer Intensive: The Slade School of Fine Art, UCL, London, UK 
The Slade School of Fine Art Degree Show, UCL, London, UK 
Distant Heres, The Stone Space Gallery, London, UK 
But We Don’t Leave Pyramids, Charsoo Gallery, Tehran, Iran 
2018 
Home, Jorjani Gallery, Tehran, Iran 
The Field, The ASC Gallery, London, UK  
2017 
Let’s Yarding, GAPS Curatorial, London, UK 
Big Fridge, The Safehouse Gallery, London, UK  
Hot Dairy, The Cookhouse Gallery, London, UK  
 
2019 
The Olive Prize, The Slade School of Fine Art, London, UK (Recipient)  
Bloomberg New Contemporaries, London, UK (Shortlisted) 
Tiffany & co. x Outset studiomakers award, London, UK (Runner up) 

 

Please do not bid on artwork in our Art on a Postcard auctions if you intend on selling the artwork after you have purchased it. This auction has been organised for charity and all artworks have been generously donated by the artists to raise money for the Hepatitis C Trust. When the work produced for the charity is sold on the secondary market it damages our relationship with the artist and prevents us from fundraising. 

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