An Art on a Postcard Mini Auction in Collaboration With The Bomb Factory

About 

Incorporating drawings as my primary medium, I explore correlations in the roots, states and depths of the mind as well as the body. Inspired by the borders of memory-experience, and sublime sensations from everyday life, I expressed visual language through drawing, painting, collage and installation. 
 

Education 

2018 - 2021   MA, Fine Art Painting, The Slade School of Fine Art, UCL, London, United Kingdon 

2008 - 2012   BFA, Fine Art Painting, Incheon Catholic University, Incheon, South Korea 

Select Exhibitions/Awards 

Solo shows 

2020 Hee Jyung Kim: Chaos, Space 9, Seoul, South Korea 

2020 The Island of Chaos, Space 9, Seoul, South Korea 

Selected Group shows 

2022   Skin of your Teeth, Crypt gallery, London, United Kingdom 

2021   London Grads Now 21, Saatchi Gallery, London, United Kingdom 

2019   Liquitex White Wall Project, The Slade School of Fine Art, UCL, London, United Kingdom 

2019   Pulling tooth, ASC Gallery, London, United Kingdom 

2015   Yokboda, Booknomade A. space, Seoul, South Korea 

2012   Asyaaf : Youth at the Culture Station, Culture Station Seoul 284, Seoul, South Korea 

2012   Taking a Photograph Modern people’s guide how to appreciate, Gyeonggi Arts Center, Suwon, South Korea 

2011   Project of Incheon Cultural Foundation: Sukgol-ro Squat Community, Incheon, South Korea 

Statement about AOAP Submitted Artwork   
 

In this work, I visualised what I imagined our lives would be trapped between sandwich breads. It is an attempt to humorously express the unstable state of mind of humans with everyday images like sandwiches that are easily seen around. 

Please do not bid on artwork in our Art on a Postcard auctions if you intend on selling the artwork after you have purchased it. This auction has been organised for charity and all artworks have been generously donated by the artists to raise money for the Hepatitis C Trust. When the work produced for the charity is sold on the secondary market it damages our relationship with the artist and prevents us from fundraising.