An Art on a Postcard Mini Auction Curated by India Rose James

07 APRIL 2022 - 21 APRIL 2022
9. Nettle Grellier - I Think You're a Joke But I Don't Find You Funny 9. Nettle Grellier - I Think You're a Joke But I Don't Find You Funny - BACK 9. Nettle Grellier - I Think You're a Joke But I Don't Find You Funny - DETAIL
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9. Nettle Grellier

I Think You're a Joke But I Don't Find You Funny

Pencil on Paper 

2021 

A6 (15x10cm) Original Artwork

Signed on Verso

ESTIMATE


£50 - 1,000

This auction has now ended

An Art on a Postcard Mini Auction Curated by India Rose James (9/52)

Notes


About 

 

Nettle Grellier, b. 1993 is a Cornwall based painter working mostly in the medium of oil paint. Since graduating from the University of Brighton in 2015 she has lived and exhibited in Spain, where she ran a residency for early career artists. After which, she returned to England where she took part in Turps Banana's correspondence course. She has most recently exhibited at Arusha Gallery in Scotland, and Unit London, Christie's and the Saatchi with Delphian gallery. A number of her paintings are in the Soho house collection and she has been shortlisted for The ACS and Hopper prizes. 

 

Education 

 

Foundation Diploma, Kingston University 2011-2012 

BA Hons, Fine Art Painting, University of Brighton 2012- 2015 

Turps Banana Correspondence Course 2019-2020 

 

Select Exhibitions/Awards 

 

Solo Exhibitions: 

  

Come to Good Delphian Gallery, London, October 2021 

Easy Peelers That Art Gallery, Bristol, March 2019 

Nettle Grellier Line Gallery, Stroud, August 2015 

  

Group and two-person Exhibitions: 

  

2021 (selected) 

Back to Back: Nettle Grellier and Rafaela de Ascanio Bowes Parris Gallery in conjunction with Harlesden High Street, London January 2021 

In Heat, two person exhibition with Plum Cloutman at Blue Shop Cottage, London May 2021 

Safe as Milk Arusha Gallery, Edinburgh, March 2021 and then in collaboration with New Sincerity Gallery, London July 2021 

  

2020 (selected) 

May We Introduce Group exhibition at Galerie Dessers, Belgium, 8 March – 5 April 

Common Ground with George Lloyd-Jones at Delphian Gallery, London, 9 April – 6 May 

Rooms Group exhibition at Subsidiary Projects, London, 16 April (moved online) 

3.3 Group exhibition at Bo Lee Gallery, London, 29 May – 25 June (moved online) 

When Spiders Unite, They Can Tie Down a Lion Group exhibition at Daniel Raphael Gallery, London 30th July - 31st August (moved online) 

Tender Kith Group exhibition at 155A Gallery London, 13-24 October 

Antisocial Isolation Group Exhibition at Saatchi Gallery, Curated by Delphian Gallery, London 29 October – 29 November 

IRL Group exhibition at Unit London, 28 November – 18 December  

  

2019 (selected) 

 Delphian Open Call Exhibition at The Printspace, London, 29 March-9 April. My painting, Daybed was selected as Judge’s Pick by Hector Campbell 

Unit London in partnership with Christie’s education at Christie’s London, 13 June – 3 August 

Unit Uncovers Exhibition at Unit London 6 August – 31 August 

Rude Assembly Curated by Max Berry, Above the Tool Shed, Sydney, Australia 23-24th November  

  

2018 (selected) 

Bottom Drawer curated by Chica Seal, London, April 

Nettle Grellier & Hal Messel, Pygmalion Fine Art, Chelsea, London, May 

Mixed Winter Exhibition at Ffin y Parc Gallery, Wales 9-23 December 

  

2016 

Bad Art at Pearls and Bones Studios curated by Anna Choutova, London. 13-15 May 

ZIGZAG joint Exhibition with George Lloyd-Jones at UntitledBCN, Barcelona, 4 -15 June 

Before we get old - UntitledBCN, Barcelona. 30 September-14 October 

  

Awards 

  

Finalist Delphian Open Call 2019 

Shortlist ACS Studio Prize 2019 

Finalist Hopper Prize 2019 

Finalist ArtPiquers Award 2019 

 

Please do not bid on artwork in our Art on a Postcard auctions if you intend on selling the artwork after you have purchased it. This auction has been organised for charity and all artworks have been generously donated by the artists to raise money for the Hepatitis C Trust. When the work produced for the charity is sold on the secondary market it damages our relationship with the artist and prevents us from fundraising. 

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