An Art on a Postcard Mini Auction in Collaboration With The Bomb Factory

About 

Born in Asmara Eritrea and raised in Saudi Arabia. Lives and works in London UK 
  

Education 

2018 MA (Hons) Fine Arts at Chelsea College of Arts UAL 
2017 Graduate Diploma at Chelsea College of Arts UAL 
2001 BA (Hons) Development Studies at Middlesex University 

Select Exhibitions/Awards 

2021 
The Parable of the Seven | The Smallest Gallery in Soho | London (Solo Show) 
Film screening | The Bomb Factory Art Foundation | London  
Silent film | Fringe Arts Festival | Bath 
Sonic Showers | Theatre Deli | London 
Emerging Artists Research and Development | The Bread & Roses Theatre | London  
In Between | TOMA | South End on Sea 
Little Voices | Kensington & Chelsea Art Week | Chelsea Telephone Exchange | London 
 
2020  
Margate (Festival) Now | Exhibiting in Turner Contemporary facade, Crate Project Space and Pie Factory | Margate  
Reality and Disorder | Espacio Gallery | London 
insurgency REVOLT¡ | Five Years Gallery | London 
Digital Touch | Conscious-Isolation | Virtual Exhibition 
After Greed Became Form | London 
ART-ON-QUARANTINE | The Nave  
Really//Real | Fringe Arts Festival | Bath 
Femme-daemonium | The Old Baths | London 
The Story of all Women | Tabernacle Art Gallery | London 
The Old Biscuit Factory | CFA | London 
 

Statement about AOAP Submitted Artwork   

The work submitted is grounded in the deconstruction, repetition and transformation in an assemblage of media and object forms. The interest derives from the relationship between space and human conditions to both examine and upend established ways of looking. Absurdity and humour is used to highlight the accepted cultural, socio-economic systems and ideological viewpoints of the everyday.  
 

Please do not bid on artwork in our Art on a Postcard auctions if you intend on selling the artwork after you have purchased it. This auction has been organised for charity and all artworks have been generously donated by the artists to raise money for the Hepatitis C Trust. When the work produced for the charity is sold on the secondary market it damages our relationship with the artist and prevents us from fundraising.