Art on a Postcard for War Child UK

About 

Christopher Farrell graduated in 1993 with a first-class Honours degree in Visual Arts from De Montfort University, Leicester where he went on to study at the Royal Academy School of Art, London completing a Post-Graduate Degree in painting in 1997. Christopher won the Young Artist of the Year Hunting Prize and was invited to attend a reception by the Queen and the Duke of Edinburgh at Buckingham Palace to recognize the achievements of young adults from throughout the United Kingdom who have excelled in their particular field. Christopher has over 20 years of experience in the field of Fine Art which includes a wide range of commissioned projects and exhibitions. 

Education 

Royal Academy School of Art ( Grad. 1997 ) 

Select Exhibitions/Awards 

2022             '5 British Contemporary Artist' Stapleford Granary Arts Centre, curated by Alan Kluckow Gallery. 

2020             'Urban Reckoning' Koppel Project Hive Gallery, London. 

2018             'Vantage Point - A contemporary view of Oxford', Sarah Wiseman Gallery, Oxford. 

2006             'Cityscapes', 39 Essex Street, London. 

2003             'London Architecture', Richard Rodgers Partnerships, London. 

2002             'Urban Myths', Beaux Arts, Bath. 

2001             'Metropolis', Vertigo Gallery, London. 

1997             'A Very British Art' at Simpson's, London.  

1996             Work selected for the '228th Royal Academy Summer Exhibition', London. 

Awards 

1997            Turner Gold Medal for painting, Premiums Exhibition at the Royal Academy of Art, London. 

1997            Won the 'Young Artist of the Year' prize from the Hunting Art Prize Exhibition. 

1992/96      Won the Royal Academy's David Murray Studentship Award for Landscape Painting. 

Gallery Representation 

Alan Kluckow Gallery, Sunningdale. 

Statement about AOAP Submitted Artwork   

Drawings of institutions combining historic and contemporary architecture of London. 

You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do. Anyone found doing so will be subject to legal action.