Art on a Postcard International Women’s Day Auction - Curated by Alexandra Steinaker
27 FEBRUARY 2024 - 12 MARCH 202411. Kathrin Isabell Rhomberg
Reverie 1
Oil on paper
2023
A6 (10x15cm)
Original Artwork
Signed on Verso
This auction is raising proceeds for The Hepatitis C Trust
Curated by Alexandra Steinacker-Clark
This auction has now ended
Notes
About
Kathrin Isabell Rhomberg (she/her), Kathrin Isabell Rhomberg (*1990, Salzburg) studied Fine Arts Painting at University for Applied Arts, Vienna and Wimbledon College of Arts, London. Her work deals with mankind-environment realtionships in regards to the Anthropocene by featuring ambigous surfaces and structures such as folds of aluminium or fire. A series of translation processes between the digital and the real leads up to the final painterly object, drawing from a wide array of arthistoric references and contemporary discources sourrounding the topic.
Education
University of Applied Arts Vienna (2013-2020) Prof. Henning Bohl
UAL Wimbledon College of Arts (2016/ Erasmus)
Selected Exhibitions/Awards
2023
solo: FIRE IT UP, wasserwasser3 im Tonlager, Vienna
PARALLEL VIENNA 2023, Gallery Statements, Artcare, Vienna
2022
WHEN PAINTING KICKS IN, Suppan Fine Arts, Vienna
THE LAST X-GAMES, Kultursektor Elektra, Bregenz
ARTIST IN RESIDENCE Domus Artium, Paliano/ Rome
NOMINATION for STRABAG ARTAWARD INTERNATIONAL 2022
2021
solo: INFINITE HORIZON, Gallery Haas&Gschwandtner, Salzburg
TABLEAU VIVANT, periscope, Salzburg
NOMINATION for STRABAG ARTAWARD INTERNATIONAL 2021
2020
solo: SCENIC, LLLLLL, Vienna
FULL CIRCLE, Notgalerie Seestadt, Vienna
2019
CIPHERS OF REGRESSION, Festival of the University of Applied Arts Vienna
YOUNG ART AUCTION, Artcare, Kunstraum Nestroyhof, Vienna
2018
HARSH ASTRAL, The Radiants 2, Gallery Francesca Pia, Zurich
THE ESSENCE 2018/ NO SHOW IS AN ISLAND, Vienna
HARSH ASTRAL, The Radiants 2, Kunsthalle Lüneburg, Lüneburg
2017
solo: FIGURE IN THE CARPET, JUSTICE, Vienna
2016
VOYAGE, Seen Fifteen Gallery, Bussey Building, London
Statement
The two submitted artworks REVERIE 1 and REVERIE 2 play with the idea of landscape painting in the context of the Anthropocene. The artificial becomes the new natural, almost like a tipping image the fold becomes an open field of association for the observer.
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