Art on a Postcard International Women’s Day Auction - Curated by AOAP

27 FEBRUARY 2024 - 12 MARCH 2024
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22. Sarah Hills

The telephone chair

Oil on card

2023

A6 (10x15cm)

Original Artwork

Signed on Verso

This auction is raising proceeds for The Hepatitis C Trust

Curated by Art on a Postcard

This auction has now ended

Art on a Postcard International Women’s Day Auction - Curated by AOAP (22/179)

Notes


About 
Sarah Hills, Sarah Hills is a London based painter who has recently graduated with a First Class MA from City and Guilds of London. She has a studio in Chelsea and is an active member of several arts collectives. She regularly exhibits her work and is about to do a one-months residency in Newfoundland. 
Education 
1984  
BA FA WSCAD 
2019 
Heatherleys Portrait Diploma 
2021 
MA FA City and Guilds 
Selected Exhibitions/Awards 
2020 
Royal Institute of Oil Painters, Mall Galleries 
2020  
First year portrait prize Heatherleys 
2021  
Royal Institute of Oil Painters, Mall Galleries 
2021 
John Walton portrait prize 
2022 
Meet Me Halfway. The Art Pavilion, Mile End  
2022 
Fissured Realms. D-Contemporary, Grafton Street 
2023 
Adjacent Colours. D-Contemporary, Grafton Street 
2024 
Small Worlds The Graduate Gallery 
2024 Residency, Pouch Cove, Newfoundland, NA,  
My works are mostly of interior scenes that are seemingly devoid of human presence, the traces that remain acting as a proxy for specific people or places.  
Statement 
These hauntological reflections mix the past, the future and the present to search for truths previously concealed. The individual works acting like parts of a puzzle that will eventually consolidate to form the whole.  
At times deeply personal, my work seeks to reactivate places and people through the imagery of empty spaces, doorways, and windows. 
Acting as indirect portraits, these works suggest transitional moments; inevitably leading to thoughts of loss, desuetude, and one’s own departure.  

 

You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do. 

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