Art on a Postcard International Women’s Day Auction - Curated by CURA Art
27 FEBRUARY 2024 - 12 MARCH 202424. Nicola Anthony
Brilliant confusion
Collage using ink pen, pencil and mond print on paper
2023
A6 (10x15cm)
Original Artwork
Signed on Verso
This auction is raising proceeds for The Hepatitis C Trust
Curated by Cura Art
This auction has now ended
Notes
About
A British Anglo-Indian sculptor who has created public artworks around the world which tell powerful stories and connect with history, people and places. Anthony has just installed a large permanent sculpture at the University of Galway and launched her largest artwork ever: emblazoning the 100m tall Liverpool Cathedral with a light-projection artwork. One of her most noteworthy sculptures was commissioned for Steven Spielberg’s Shoah Foundation, featuring the story of a Holocaust survivor. Notable exhibitions include representing the UK at Dubai Expo 2020; a solo exhibition at Singapore Art Museum (2017); and her artworks in the Kuala Lumpur Biennale (2018). Known for her signature metal text sculptures and drawings which give voice to unspoken stories, recent topics include engaging with anti-colonial practice; lost narratives and displaced cultures; and the impacts of climate change on minority groups. Select public sculptures are in Villiers Street (London), National University of Ireland (commissioned by European city of culture 2020), Colorado, USC Shoah Foundation (Los Angeles), Marina Bay (Singapore), Lim Chin Tsong Palace (Myanmar), and National Design Centre (Singapore). She has artwork in major collections including Ingram British Art, AstraZeneca corporate collection, National University of Ireland, University of Southern California.
Education
2001-2002
University of the Arts London
2003-2006
Loughborough University
Solo Shows
2023
Murmuration, sculpture unveiling, National University of Ireland
Metamorphosis, public showcase, Liverpool Cathedral, UK
2021
See Things Differently, UK Pavilion, Dubai
2020
A Desire For Closeness, Presentation Arts Centre, Ireland
2019
The Opposite of Love is Indifference, Colorado, USA
2018
Remembering our Father’s Words, USC Shoah Foundation, USA
Intersection, Myanm/ART Gallery, Myanmar
2017
Human Archive Project, Singapore Art Museum, Singapore
The Flow of Time, Singapore Art Museum, Singapore
Intersection, Intersections Gallery, Singapore
Group Shows
2024
Art Miami, USA
Art Palm Beach, USA
Treasure House, UK
2023
Long-Sharp Gallery, USA
Wells Cathedral, UK
Art Miami, USA
2022
Ingram Collection, Saatchi, UK
Gallery of Modern Art, Ireland
2021
Rias Arc Museum of Art, Japan
2020
Lightbox Museum, UK
Sovereign Art Prize, HK
2019
Lightbox Museum, UK
Bangkok Art & Culture Centre
2018
Jewish Museum Berlin
Gallery Representation
Long-Sharp Gallery (USA /UK)
Statement about AOAP Submitted Artwork
'Murmuration of Thoughts' and 'Brilliant Confusion' are drawings by international text-sculptor Nicola Anthony. Made in the artist’s signature drawing style using letters as 'pixels’. These artworks use an absence of coherent language to convey the inability to put something into words; the amorphous state that our thoughts can exist in before they crystallise. There is often a sense of overwhelm and misunderstanding through a cloud of disconnected letters in these drawings (a 2020 solo exhibition included a series called ‘Clouded Words’ which depicted people from isolated communities in Ireland) and at other times they convey a deep sense of meaning contained within, that we may not decipher at present. The depiction of murmurations of starlings started to form part of the artist’s lexicon after her research into isolated communities in 2019. Sketchbook drawings about migration incorporated the birds as an allegory for the many people across the world who have had to migrate from their homes and settle in a new village, city, land or community. In nature, the birds’ coordination is caused by thousands of individual movements and instinctive actions. This phenomenon is called emergent behaviour, where they appear choreographed but are in fact all acting independently. The parallels with how humans behave in a crowd or as part of a society began to be a deeper area of the artist’s research around belonging: From the outside each individual appears like they know where they fit in, which can make it incredibly hard for someone from outside the community to find their place. This motif has also been seen in the artist’s metal sculptures featuring starlings which have words for wings - the most recent murmuration of 150 birds has just been acquired by the art collection of Galway University, celebrating language and provoking curiosity in human connection in the foyer of the prestigious O’Donoghue Theatre. Over the years intricate prints and drawings in this style have also been created at a large, installational scale and can be found in art collections around the world.
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