Art on a Postcard International Women’s Day Auction - Curated by Vanessa Murrell

27 FEBRUARY 2024 - 12 MARCH 2024
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23. Alice Mahoney

Mop Top

Acrylic on paper

2024

A6 (10x15cm)

Original Artwork

Signed on Verso

This auction is raising proceeds for The Hepatitis C Trust

Curated by Vanessa Murrell

This auction has now ended

Art on a Postcard International Women’s Day Auction - Curated by Vanessa Murrell (23/37)

Notes


About 

Alice Mahoney is a multidisciplinary artist using sculpture, painting, print, film and sound to explore forms, colour, material, and surface, interrogating the relationships between things, exploring space both architecturally and topographically and the interconnectedness of objects, people and places to create fragmented narratives both real and fictional. 
 
Having come from an art conservation background, Alice is interested in disrupting ideas around correct methodologies and material processes and enjoys using unconventional and experimental materials, re-using waste or by-products, questioning ideas around value and permanence within objects and places. 
 
Alice works as a facilitator with both neurodivergent & neurotypical artists, including facilitating a BBC commission in 2020 and most recently working as an artist-educator on The Newlyn & the Exchange Gallery’s two year Paul Hamlyn Foundation’s Teacher Development Funded project to deliver Think, Talk, Make Art, an ambitious programme of professional development and learning for primary school teachers, helping them to harness the full potential of art across their curriculum. 
 
Additionally, Alice has curated and run artist-led spaces, talks, screenings, and workshops, including an artist residency programme at CMR Project Space in Redruth (2018-ongoing) and Project Space, Berlin (2003-2005). Recent funded events she has led include those related to film, photography, publishing and sound. She also founded and co-organized the Inland Art Festival, Redruth (2014 and 2016). Alice plays keyboards in the band Disco Rococo. 

Education 

University of East London, BA (Hons), 1999 - 2002 
Falmouth School of Art, Foundation in Art and Design, 1998 - 1999 

Select Exhibitions/Awards 

AWARDS 
Develop Your Creative Practice, Arts Council England, 2023 
Cultivator skills based mentoring with Naomi Frears, 2023 
a-n Time Space Money bursary recipient, 2023 
Cultivator Skills Development Grant, 2023 
Cultivator mentoring programme with Ella Frears, 2021 - 2022 
Cultivator mentoring programme with Sarah Tripp and curator Andrew Hunt, 2018 - 2019 
Cultivator Creative Investment Grant, 2018 
 
RESIDENCIES 
Schloss Plüschow, Germany, 2023 
The Cornwall Workshop, Kestle Barton, Cornwall, led by Andy Holden, 2019 
Uncanny Valley, Auction House Project Space, Redruth, 2019 
Back Lane West, Redruth, Cornwall, 2018 & 2019 
Fish Factory (HERE) Creative Centre, Stöðvarfjörður, Iceland - (an exchange with seven artists and Fish Factory, Falmouth), 2016 
Liminal Space, TAP, Southend-on-Sea, 2014 
Weekend Shift Part 2, Back Lane West, Redruth, 2014 
Weekend Shift, Stryx, Birmingham, with Back Lane West, 2013 
4 Weeks 33 Hours, CMR Project Space, Redruth, 2012 
 
SELECTED GROUP EXHIBITIONS 
The Redruth Albany Club, Redruth, 2023 
The Only Thing More Slippery Than The Elbow, Auction House Space, Redruth, 2022 
Borderlands, Plymouth Art Weekender, 2020 
Scenes, The Picture Room, Newlyn Gallery, 2019 
From A to B, via C, Auction House Space, Redruth, 2019 
Everything is F**ked, CMR Project Space, Redruth, 2017 
Fish Factory *London*, St John on Bethnal Green, Whitechapel Gallery First Thursdays Initiative, 2013 
Ink and Pressure, Fish Factory, Falmouth, Cornwall, 2013 
Weekend Shift, Residency exchange at Stryx, Birmingham with Back Lane West, 2013 
Talking Out Loud (with Liam Jolly), Tardis Projects, Truro, Cornwall, 2013 
4 Weeks 33 Hours, CMR Project Space, Redruth, 2012 
TRFifteen, CMR, Redruth, Cornwall, 2012 
Set of Odd Volumes, Book Art Exhibition; TAP, Southend, Essex, 2010 

 

You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do. 

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