The etching process dates from the 16th century, and no photographic aids are used. The artist draws through a resin resist (which is impervious to acid) onto a copper-zinc plate with an etching needle. The plate is then immersed in acid so that it is etched along the needle lines. This etched linear drawing provides the foundation for all plates. The plates are then inked up and hand-printed on acid-free paper through an old intaglio press.

Lunch is provided for the group of 8 as part of the experience. 

For more information go to www.guyallenstudio.com.