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The Disorder of the Dining Table

‘The rituals of eating,’ Sarah Wigglesworth wrote in 2002, ‘played out on the plane of the dining table are similar to the rituals of domestic life.’ These drawings of a dining table before (top), during (centre), and after (bottom) a meal, drawn by Wigglesworth, explore how the relationship between diners around a table can be compared to the interactions between occupants in the home.


Wigglesworth founded Sarah Wigglesworth Architects in 1994.[2] Her practice has a reputation for sustainable architecture and an interest in using alternative, low energy materials.[3] One of the practice's best known buildings is the Straw Bale House in Islington, London.[4] The building was designed as a house for Wigglesworth and her partner Jeremy Till, and an office occupied by Sarah Wigglesworth Architects, using straw bales, cement-filled sandbags, silicon-faced fibreglass cloth and gabions filled with recycled concrete. ‘This doesn’t look like a traditional green building,’ said Wigglesworth. ‘We want to bring green architecture into the mainstream by making it more urban and urbane.”[4] The house featured in the first series of Grand Designson Channel 4 in 1999, widely exhibited including Benaki Museum (AAO Lina Stergiou),[5] and published.[6]

She was Professor of Architecture at the University of Sheffield from 1999 to 2016 where she founded the PhD BY Design in 2002.[7] Her academic work often blended with her ‘live’ projects and she describes her research focus as ‘revealing the workings of practice.[7] She led DWELL (Designing for Wellbeing in Environments for Later Life) – a research project at the University of Sheffield into the design of houses and neighbourhoods for older people.[1]

Early in her career in 1991 Wigglesworth, together with Till, was the first architect to be awarded the Fulbright Arts Fellowship.[2] Wigglesworth was appointed MBE in 2004[3] and in 2012 became the first woman to receive the prestigious Royal Designer for Industry award for architecture.[8]

Alongside the Straw Bale House, Wigglesworth’s Sandal Magna School in Wakefield has been described as an exemplar of passive, sustainable design.[9]Wigglesworth also places an emphasis on building users’ involvement in design and buildings. The recent Mellor Primary School incorporates spaces for natural habitats and is designed to aid the school's curriculum and help pupils interact with the building.[10]

Sarah Wigglesworth is an outspoken advocate of the role of women in architecture. In 1995 she was an initiator of Desiring Practices: Architecture, Gender and the Interdisciplinary[11], an exhibition, symposium, catalogue and book that explored gender differences in architectural practice.[12] She continues to criticise the architectural profession for failing to support women properly as architecture students or practitioners.[13]