Art on a Postcard International Women’s Day Auction - Curated by AOAP

27 FEBRUARY 2024 - 12 MARCH 2024
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2. Emily Kraus

Speleothem 02.23

Charcoal on paper

2023

A6 (10x15cm)

Original Artwork

Signed on Verso

This auction is raising proceeds for The Hepatitis C Trust

Curated by Art on a Postcard

This auction has now ended

Art on a Postcard International Women’s Day Auction - Curated by AOAP (2/179)

Notes


About 

Emily Kraus (She/Her) (b. 1995) received her Painting MA from the Royal College of Art in London (2022) and a BA in Religious Studies from Kenyon College (2017).  

Education 

BA Religious Studies, Kenyon College, USA 

MA Painting, Royal College of Art, London 

Select Exhibitions 

2023 
Nest Time, The Sunday Painter, London 

Echoes Across Surfaces, Duarte Sequeira, Portugal  

Matija Čop and Emily Kraus, Sapling Gallery, London  

Young and Restless, the Stable Gallery S-chanf, Switzerland 

2022 
Buffer, Guts Gallery, London  

My Mother was a Computer, Indigo+Madder, London 

Awards  

2023 
Bloomberg New Contemporaries 

John Moores Painting Prize, Shortlist 

Hopper Prize Winner 

Gallery Representation 

The Sunday Painter 

Statement about AOAP Submitted Artwork 

I am zooming in on the minuscule mark: Small and unassuming yet containing a world. Focusing on transmutation with a festering intimacy. I wonder if it has to do with control. I hold in my hand these tiny worlds. I have always worked big but now it is small. These ‘breath stacks’ illustrate the space in between. You must get close to them to see them, to see into them. Perhaps you even hold your breath when you look at them, not because they are breath-taking but so that the vibration of recycling air does not disrupt your eyes’ delicate focus on speleothems made of dust. Solid and impalpable, incorporeal, intangible.  
I am working with charcoal – a breath-like material. It comes from burning, from death, and then it is made into a new object of creation. I think of the myths of gods with the power to breathe life into creatures. I imagine myself a god, using this material wrought from destruction to create anew.  
I am playing inside the micro-mark transfiguring the macro mundi. 
 
“By focusing on breath, life becomes a performance.” –Kaprow 

 

You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do. 

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