Art on a Postcard International Women’s Day Auction - Curated by Jo McLaughlin
27 FEBRUARY 2024 - 12 MARCH 2024
                        
            
                            41. Rhona Taylor
Blue/Yellow Light Rhythms
Acrylic on paper
2023
A6 (10x15cm)
Original Artwork
Signed on Verso
This auction is raising proceeds for The Hepatitis C Trust
Curated by Jo McLaughlin
This auction has now ended
Notes
About
Rhona Taylor (b.1975, London) is an artist based in Edinburgh with a multi-disciplinary practice that includes painting, site-specific installation, sculpture, printmaking and text.
Education
2013 
Edinburgh College of Art, BA (Hons.) Painting 
1998 
University of Liverpool, BA (Hons.) German with Dutch 
Select Exhibitions/Awards
2024
Through Line, City Art Centre, Edinburgh (Nov 2024 to March 2025)
2023    
Incremental, Detail Gallery, Edinburgh 
2022    
Spectrums, The Briggait, Glasgow 
2018     
Perimeters, Upright Gallery, Edinburgh 
2017     
Sea Marks, Patriothall Gallery, Edinburgh 
2014     
New Work, Fine Art Library, Edinburgh 
2014     
Typology, Grampian Hospitals Art Trust, Aberdeen  
2013     
Shed 8, Port Edgar Marina, South Queensferry 
2012 
Solo show, Filmhouse Cinema, Edinburgh 
Statement about Work Submitted
My postcard paintings in the IWD auction relate to a wider body of work looking at colour, light and surface, and exploring the relationship between two and three dimensions. This particular body of work began when I was on residency with SÍM, the Association of Icelandic Visual Artists, in 2022, and I started to explore how place, time and latitude relate to and affect natural light and colour. My wider practice is concerned with light and colour; pattern, repetition and line; as well as time, place, mapping and the navigation of space. I often make work in response to particular places, in areas that are perceived from the outside as being remote or isolated – especially the sea, coast, islands and coastal communities.
You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.