Art on a Postcard Mini Auction Curated by Jack Trodd

25 MAY 2023 - 08 JUNE 2023
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41. Monika Marchewka

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Oil on paper

2023

A6 (10x15cm)

Original Artwork

Signed on Verso

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Art on a Postcard Mini Auction Curated by Jack Trodd (41/105)

Notes


About 

Monika Marchewka (b.1988) is a Polish artist living and working in Gdynia, Poland. In 2013 she obtained her degree in painting at the Jan Matejko Academy of Fine Arts in Krakow, Poland. After graduation, Monika started working as an animator in the world's first fully painted film 'Loving Vincent'  and later 'The Peasants' (BreakThru films production company). Since leaving BreakThru films, she has been painting full-time and exhibiting in several group shows around Poland and abroad. Last year she had her first solo show at Artistellar Gallery in London. 

Education 

2013 BA Painting Jan Matejko Academy of Fine Arts in Krakow, Poland 

Select Exhibitions/Awards 

2018-Individual exhibition "Ways to deal with storms and hail", NA miejscu Gallery, Gdańsk, Poland 
2017- Individual exhibition „ A bit old. Pretty new”, Sztuka Wyboru, Gdańsk , Poland. 
2016- Individual exhibition „The Expendable” Dwie Zmiany Gallery, Sopot, Poland 
2015- Individual exhibition „The moment before, a while after” POPin Studio, Sopot, Poland 
2015- Individual exhibition "Disturbance", Żak Gallery, Gdańsk, Poland 
2014- Group exhibition "Fresh Blood", Socato Gallery, Wroclaw, Poland 
2014- Diploma of "The Society of The Friends of Fine Arts in Kraków" for the best graduations diploma on painting division , Kraków, Poland 
2013_ Group exhibition "Young Polish Art", POSK Gallery, London 
2013- Group exhibition "Promotions", Gallery of Art in Legnica, Legnica, Poland 
2013- Group exhibition "Winter Salon", Stalowa Gallery, Warsaw 
2013- Group exhibition "The IX Warsaw’s Art Fair", The Royal Castle, Warsaw 
2013- Exhibition of the best graduation diploma, Palace of art, Kraków, Poland 

Gallery Representation 

Artistellar Gallery 

 

You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do. 

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