Art on a Postcard Mini Auction Curated by Jack Trodd

25 MAY 2023 - 08 JUNE 2023
5. Marina Renée-Cemmick - Lola FRONT 5. Marina Renée-Cemmick - Lola BACK
5. Marina Renée-Cemmick - Lola FRONT
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5. Marina Renée-Cemmick

Lola

Coloured pencil on paper

2023

A6 (10x15cm)

Original Artwork

Signed on Verso

This auction has now ended

Art on a Postcard Mini Auction Curated by Jack Trodd (5/105)

Notes


About 

Marina works across multi disciplines, drawing, oil painting and performance. Her background in dance and physical theatre allows for a sensitivity and innate interest towards the expression of the body and its movement. She has become increasingly interested in developing ways of combining performance and theatre with drawing and visual mediums. Combining classical figurative drawing, with movement and gesture, she responds directly to live theatre, most recently MACBETH, to create a physical record of the performance that encapsulates the energy of the show. She then takes these to her studio in North London, to develop, work from and expand.  

  

In the process of creation, there is a constant dialog between materials and ideas; an expansion and contraction that is playful and fluid, and evolves during the making.  
 

Education 

2019-21 The Royal Drawing School. MA. 

2018 Glasgow School of Art. BA (Hons) Fine Art. 

2017 Kyoto Seika University, Kyoto, Japan  

2015 Art University Bournemouth. Foundation Diploma. 
 

Select Exhibitions/Awards 

Solo Exhibitions 

2022 - Interactions: Body&Theatre, Tap&Bottle, London  

2019 - Underlying Structures, The New Glasgow Society, Glasgow 

Selected Groups 

2023 - Two by Two, Brushes with Greatness, Morrell House, London 

2022 - NEAC Annual Exhibition, Mall Galleries, London 

Performance 

2022 - Little Amal, COP 26, Glasgow  

2021 - MACBETH Flabbergast Theatre Company, Ludlow Fringe Festival 

Awards 

2022 NEAC Scholarship  

2022 Dumfries House Residency 

 

You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do. 

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