Art on a Postcard Winter Auction, Lots 101-200

04 NOVEMBER 2021 - 25 NOVEMBER 2021
SUNFLOWERS - YELLOW - front 183 - DETAIL SUNFLOWERS - YELLOW - back
SUNFLOWERS - YELLOW - front
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183. Jack Tierney

Sunflowers - Yellow

Acrylic + Charcoal on Paper

A6 (15 x 10cm) Original Artwork 

Signed on verso

ESTIMATE


£50 - 1,000

This auction has now ended

Art on a Postcard Winter Auction, Lots 101-200 (183/100)

Notes


About 

 

Jack Tierney was born in Milton Keynes, UK in 1986. 
He currently works out of his studio in Cornwall, having spent the previous ten years based in Bristol, UK. 
The subjects of his paintings are the everyday objects, people and events that reflect his surroundings. They might be dogs, a still life with flowers or people on a night out. 
Tierney is influenced by his background in Graffiti art, the playful brushwork and bold colours of the 20th century fauvists and the unapologetic fun of naïve art. 
His work is the re-interpretation of familiar subjects in unfamiliar ways, using form, colour and composition to create paintings that are intentionally slightly at odds with themselves. 
Jack has shown in solo and group shows over the last decade and can be found in many private collections. 

 

Education 

 

BA (Hons) Fine Art (Painting) Loughborough School of Art and Design 

 

Select Exhibitions/Awards 

 

SOLO: The Dancing Plague, Brewhouse Gallery, Taunton (2019) 
 
GROUP: Kolektivna Izlozba, Galerija Petak, Belgrade, Serbia (2017) 
The National Open Art Winner's Exhibition, Pallant House Gallery, Chichester (2015) 
A Movement Towards a Grand Unified Theory of Almost Nothing, The Looking Glass, Bristol (2012) 
Who are We? Who am I? Airspace Gallery, Stoke (2008) 
 

PLEASE DO NOT BID ON ARTWORK IN OUR ART ON A POSTCARD AUCTIONS IF YOU INTEND ON SELLING THE ARTWORK AFTER YOU HAVE PURCHASED IT. THIS AUCTION HAS BEEN ORGANISED FOR CHARITY AND ALL ARTWORKS HAVE BEEN GENEROUSLY DONATED BY THE ARTISTS TO RAISE MONEY FOR THE HEPATITIS C TRUST. WHEN THE WORK PRODUCED FOR THE CHARITY IS SOLD ON THE SECONDARY MARKET IT DAMAGES OUR RELATIONSHIP WITH THE ARTIST AND PREVENTS US FROM FUNDRAISING. 

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