Art on a Postcard x St Wilfrid's Hospice: The Postcards

About

Painter

Education

Student of Roy Oxlade

Select Exhibitions/Awards

Solo exhibitions include: Two Person: “Not the Dead Spit” Niagra Falls, Brighton; Two person: “A Stone in the Mountain”, Transition, London 2018; Paul Stolper Gallery, London 2016; Sardac Gallery, France 2014; Transition Gallery, London 2013; National Gallery of Costa Rica, 2006; Fred Spratt Gallery, USA and CGP Gallery, London, 2003, SF MoMA Artists Gallery, USA 2002. 

GROUP EXHIBITIONS
2022
Football Art Prize Touchstones Rochdale, Sheffield Museum; Sunderland Museum 
2019 
‘Too Cute! Sweet...’ Birmingham Museum 
2015-17 
Arts Council Collection Touring Exhibition (Highlanes Gallery, Eire; Leeds Art Gallery; Nottingham Castle; The Atkinson, Southport; Towner, Eastbourne)
2014 
Threadneedle Prize Curated Space, London; Paul Stolper Gallery, London 
1994 
‘Wild Thing’, Aberystwyth Art Centre, Wales; and Galerie d’Ys, Brussels, 2011; Harlech International, Wales 

SHORTLISTED FOR
2022 Football Art Prize, 2021 John Moores Painting Prize; Open Mostyn 21, The John Moores Painting Prize, 25 and 18, Royal Academy Summer Exhibitions including short listed for Charles Wollaston Prize in 2000, 2003 and 2006; Turner Contemporary Open, Margate, 2009; Oriel Mostyn 1993: East & South, 1992. 

AWARDS
2006; 2003; 2000: Shortlisted for the Charles Wollaston Prize; British Council Travel Award. 
2003
British Council Award; Arts Council Major Personal Development Award. 
2002
South East Arts Personal Development Award.

COLLECTIONS
Arts Council; National Gallery of Costa Rica; Contemporary Art Collection Costa Rica; New Hall Art Collection Cambridge

Gallery Representation

Paul Stolper, London

Statement about AOAP Submitted Artwork

I paint from what I see, have seen and think about. I hope to uncover differences and make connections that might only be understood through seeing with feeling.

You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.