An Art on a Postcard Mini Auction in Collaboration With The Bomb Factory

12 MAY 2022 - 26 MAY 2022
46. Maja Djordjevic - I Need You 46. Maja Djordjevic - I Need You - BACK 46. Maja Djordjevic - I Need You - DETAIL
46. Maja Djordjevic - I Need You
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46. Maja Djordjevic

I Need You

Enamel on Paper 

2022 

A6 (15x10cm) Original Artwork 

Signed on Verso

This auction has now ended

An Art on a Postcard Mini Auction in Collaboration With The Bomb Factory (46/108)

Notes


About 

 

Maja Djordjevic (b.1990, Belgrade) lives and works in Belgrade and London. Djordjevic is known for her digitally-native aesthetic sensibility and her innate ease within the realms of computer-generated visual syntax and digital manipulation. Djordjevic’s work has from the very beginning directly engaged with the legacies of deskilling, net art, and feminist figuration. 

 

Education 

 

BA in Fine Arts in Faculty of Fine Arts, Belgrade, Serbia MA in Fine Arts in Faculty of Fine Arts, Belgrade, Serbia 

 

Select Exhibitions/Awards 

 

Maja participated in various solo and international exhibitions including This must be the place, Carl Kostyál, London 2020, We Used to Gather, Library Street Collective, Detroit 2020, Deal Again, Solo exhibition and Residency, Balkan Projects, LA, Look At This, group Show, Skip Gallery, Arts Building, London, 2019, I am always different person, Dio Horia, Athens 2019, Nothing to Wear, Installation, Selfridges Department Store, 2019, Post Digital Pop, group show curated by Sasha Bogojev with Mark Chalmers, The Garage, Amsterdam, 2019, and at the 57th October Art Salon,Biennial exhibition, Belgrade. 

 

Gallery Representation 

 

Dio Horia Gallery - Athens 

 

Statement about AOAP Submitted Artwork   

 

STAY STRONG - is important 

 

Please do not bid on artwork in our Art on a Postcard auctions if you intend on selling the artwork after you have purchased it. This auction has been organised for charity and all artworks have been generously donated by the artists to raise money for the Hepatitis C Trust. When the work produced for the charity is sold on the secondary market it damages our relationship with the artist and prevents us from fundraising. 

 

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