Art on a Postcard for War Child UK

18 APRIL 2023 - 04 MAY 2023
170 - front 170-back
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170. Nikolas Antoniou

Light

Acrylic & oil on paper

2023

A6 (10x15cm)

Original Artwork

Signed on Verso

This auction is raising proceeds for War Child UK

This auction has now ended

Art on a Postcard for War Child UK (170/222)

Notes


About 

Nikolas Antoniou was born in Larnaca, Cyprus, in 1988. He received his degree in 2012 from the University of Western Macedonia's Department of Fine and Applied Arts in Greece, where he closely collaborated with professors and artists Harris Kondosphyris and Manolis Polymeri. 

His paintings do not stem from a specific idea or theme. He consciously avoids focusing on specific questions or particular answers and instead creates new pictures, which generate unknown questions. Thus, the artist paints vague spaces, with objects that appear to be misplaced, both in time and dimension, next to disjointed items, with figures lost in an intense painterly environment, but which eventually coexist and interact, giving meaning to their existence, telling a story, and expressing a sentiment. 

Education 

University of Western Macedonia, Department of Applied and Fine Arts 

Select Exhibitions/Awards 

Selected Solo Exhibitions  

2022 -  Pierides Museum - Bank of Cyprus Cultural Foundation - Larnaka, Cyprus 

2021 - "Seasons Change" - Alpha C.K. Art Gallery - Nicosia, Cyprus 

2017 - “Nikolas Antoniou” – Budapest Art Factory Project Space, Budapest, Hungary 

2016 - ‘’The Conservation of the Creative Process’’, Alpha C.K. Art Gallery, Nicosia,          Cyprus 

2015 - ‘’For the Purposes of Imperfection’’, Technochoros Art Gallery, Athens, Greece 

Selected Group Exhibitions 

2019 - "The New Portrait" - Stoerpunkt Gallery, Munich, Germany 

2019 - “The Paper Salon” - Ambush Gallery, Sydney, Australia 

2017 - Melenia Art Gallery, Bucharest, Romania 

Gallery Representation 

Alpha C.K. Art Gallery - Cyprus 

Technohoros Art Gallery - Greece 

 

You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do. Anyone found doing so will be subject to legal action. 

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