Art on a Postcard International Women’s Day Auction - Curated by Lee Sharrock

23 FEBRUARY 2023 - 09 MARCH 2023
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10. Rachel Dinwiddie

Nativity Sheep Takeover

Gouache and Coloured Pencil on Paper

2023

A6 (10x15cm)

Original Artwork

Signed on Verso

Curated by Lee Sharrock

 

This auction has now ended

Art on a Postcard International Women’s Day Auction - Curated by Lee Sharrock (10/70)

Notes


About 
Rachel Dinwiddie (b. 1999 in Monterey, CA) is a painter and recent graduate from The School of the Art Institute of Chicago’s BFA program. Her work is full of creatures and objects in fantastical situations, defined by excessive, explosive compositions. Primarily oil on paper, the work dances the line between drawing and painting, sculptural and ephemeral mark-making. She is currently based in Little Chute, Wisconsin. For monthly studio updates, please
 

Education 

Bachelor of Fine Arts in Studio -- The School of the Art Institute of Chicago
 

Select Exhibitions/Awards 

 2021     Rush of Spring, Young Space Views with Steak Galley, Online Exhibition

2020     Keep for Old Memoirs, Young Space Views, Online Exhibition

2020     April Foods, Abstract Lunch, Online Exhibition

2020     World Series SD, False Cast Gallery, Online Exhibition

2020     2020 SAIC BFA Show, Sullivan Galleries, Chicago, IL

2019     SAIC Burren Study Trip Exhibition, The Burren College of Art, Ballyvaughan, Ireland

2018     ArtBash 2018, LeRoy Neiman Center School of the Art Institute of Chicago, Chicago IL, USA

2018     Past Present, Present Past, Roger Brown Study Collection, Chicago, IL, USA

2018     Traditional to Contemporary: A Figure and Portrait Exhibition, Oak Park Art League, Chicago, IL, USA

2017     3rd Time’s the Charm, Ashton Gallery, San Diego, CA, USA

2016     REGRESS: Sankofa, ArtVale Gallery, Oakland, CA, USA

2017     Scholastic Art and Writing Award, National Silver Medal in Painting

2017     SAIC BFA Merit Scholarship

2017     SAIC Competitive Excellence Award
 

You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do. Anyone found doing so will be subject to legal action. 

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