Art on a Postcard International Women’s Day Auction - Curated by Sandra De Giorgi

23 FEBRUARY 2023 - 09 MARCH 2023
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32. Yaya Yajie Liang

Egg

Ink and Watercolour on Paper

2023

A6 (10x15cm)

Original Artwork 

Signed on Verso

Curated by Sandra De Giorgi

This auction has now ended

Art on a Postcard International Women’s Day Auction - Curated by Sandra De Giorgi (32/61)

Notes


About 

Yaya Yajie Liang (b. 1995, Henan, China) has a BA Fine Art China Central Academy of Fine Arts (2018) and a MA Painting at Royal College of Art (2020). She is doing Ph.D. research at Royal College of Art since 2020.  

Education 

2020: Ph.D. in School of Art and Humanity, Royal College of Art, UK 

2018-2020: MA in Painting, Royal College of Art, UK 

2014-2018: BA in Fine Art, China Central Academy of Fine Arts, China  

Select Exhibitions/Awards  

Yaya has been shortlisted for The Waverton Art Prize (2022). Recent exhibitions include Gillian Jason Gallery, London, UK (2023); BLANK Gallery, Shanghai, China (2023); Simon Lee Gallery, London, UK (2022); 180 The Strand, London, UK (2022); Southwark Park Galleries, London, UK (2022; Fold Gallery, London, UK (2020); Josh Lilley’s Gallery, London, UK (2020); Unit 1 Gallery, London, UK (2020). 

Statement about AOAP Submitted Artworks 

My work explores the body's metamorphosis and the potential of becoming animal. From the legendary banished beast to the interpenetration of biological space and represented space with body, I interrogate how humans’ analogic mapping to and from animals (within imagined, lived, or taxonomic intimacies) casts a trans light back on the human to help us reconsider the prescribed definition of ‘humanity’, and bleeds ‘animality’, the ‘stuff’ of animal nature that sticks to animals in zombie humanism, back onto the humanness’s texture. I believe that the interdependence between humans and non-humans in a space of constant becoming will remove boundaries and create a new us in a continuous cycle of creation and destruction. 

 

You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do. Anyone found doing so will be subject to legal action. 

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