Art on a Postcard x St Wilfrid's Hospice: The Postcards II

14 SEPTEMBER 2023 - 03 OCTOBER 2023
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196. Sean Worrall

Eastbourne Skyline No. 2

Acrylic on paper

2023

A6 (10x15cm)

Original Artwork

Signed on Verso

This auction is raising proceeds for St Wilfrid's Hospice Eastbourne

This auction has now ended

Art on a Postcard x St Wilfrid's Hospice: The Postcards II (196/133)

Notes


About

Sean Worrall is an artist, mostly a painter, a resident of East London, something hopefully reflected in the current body of work, Sean also co-runs and curates at Cultivate gallery, formally of Vyner St, now nomadic and popping up all over the city. Sean also runs the long-standing Organ magazine (a respected print magazine for many years, now a very busy website), along the way Organ evolved in a series of TV shows an off-shoot record label that ran rather successfully for 15 or so years as well a radio show on London Arts radio station Resonance FM. These days Sean is mostly a painter living and working in East London, a painter who exhibits extensively both in galleries and on the street. Sean has exhibited both as a solo artist and in group shows both nationally and internationally and has work in collections all over the world.

Select Exhibitions/Awards

2022
JANUARY 2022 – #43Leaves for January – on the streets of East London
2021
JULY 2021 – A third and final #43Leaves for Deptford X – 43 Paintings on found recycled material left on the streets of Deptford, South London, during the art festival
2020
DEC 2020 – X Marks The Spot – Shipton Street Gallery, Columbia Road, London E2
AUG 2020 – A #43Leaves piece for August, on the streets of East London
2019
NOV 2019 – Harvey and Worrall – Chips, Starz, What Would Joan Jett do? Shipton St Gallery, London E2

Statement about AOAP Submitted Artwork

Sean, a long-time AOAP contributor, made a special trip to Eastbourne to paint his signature skylines for his postcards. 

 

You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.

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