Art on a Postcard x St Wilfrid's Hospice: The Postcards

14 SEPTEMBER 2023 - 03 OCTOBER 2023
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134. Lothar Götz

Untitled 2

Watercolour on paper

2023

A6 (10x15cm)

Original Artwork

Signed on Verso

This auction is raising proceeds for St Wilfrid's Hospice Eastbourne

This auction has now ended

Art on a Postcard x St Wilfrid's Hospice: The Postcards (134/136)

Notes


About

Whilst Lothar Götz’s practice ranges in scale from site-specific wall paintings and room-sized spatial installations to paintings and drawings, there is a clear coherence and dialogue across his body of work through its continual referencing and engagement with ideas about architecture and space and its characteristic use of abstract geometric forms, fields and lines of intense colour, juxtaposed with one another. His work is informed by real factors of circumstance, site, or the particular inhabitants or histories of a building, space or place, but mixes these factors with further imaginary or fantasy ones. Similarly, many of his drawings and paintings represent the floor plans of idealized dwellings, sometimes for specific people or historical figures, sometimes for imagined ones. Together they form part of an ongoing series exploring spatial ideas for domestic spaces: apartments, houses, bungalows, villas. Like Lothar’s wall paintings respond to the actual site they are located so do many paintings and drawings respond to writings or historical artworks, often connected to the ideas and visions of Modernism.

Education

1996–1998
Royal College of Art London, MA Painting 
1993–1995
Kunstakademie Düsseldorf (Prof. Gerhard Merz) 
1991–1995
Universität Wuppertal, MA Aesthetics (Prof. Bazon Brock) 
1983–1988
Fachhochschule Aachen, BA Visual Communication 

Select Exhibitions/Awards

2010
Awards include Abbey Fellowship, The British School at Rome, Rome, Italy (2010) 
2004
Artists Links Residency, Shanghai, China (2004) 

Gallery Representation

Domobaal, London, https://www.domobaal.com

 

You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.

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