Art on a Postcard International Women’s Day Auction - Curated by Louise Fitzjohn
23 FEBRUARY 2023 - 09 MARCH 2023Notes
About
Alexis Soul-Gray (b. 1980) lives and works in Devon, UK. Working across painting, drawing and printmaking, collage and assemblage, Soul-Gray begins with a figure – mother, child – from a source which may comprise the sheet on which the image is realised.
Education
2021-2023 MA Painting, Royal College of Art, London, UK
2007 MA Diploma ‘The Drawing Year’, The Royal Drawing School, London, UK
2006 QTS Qualified Teacher Status, The London Arts Consortium, UK
2003 BA Hons Visual Arts - Drawing, Camberwell College of Art, London, UK
2000 Foundation Diploma, Central Saint Martins College of Art and Design, London, UK
Select Exhibitions/Awards
Selected Exhibitions
2022 Screen Memory, Wetterling gallery, Stockholm (Solo)
2022 Women Celebrating Surrealism, Islington Arts Factory, London 2022 What Was lost, PAPER Gallery, Manchester. (Duo)
2022 Come Dressed in Blue, Irving Contemporary, Oxford (Solo) 2022 Totem, OHSH Projects, London
2022 I took the power in my hand, Liminal Gallery, Margate (Group) 2022 Drawn to Abstraction, Wonzimer Gallery, London (Group) 2022 Straw Girl, Exeter Phoenix Gallery, Exeter (Solo)
2022 WIP 22, Royal College of Art & Soho Revue London (Group)
2021 Love with no place to go, Delphian Gallery, London (Solo)
2021 Eutopia, Excelsior Studios, London (Group)
2021 Origin, Delphian Gallery, London (Group)
2021 Blue Eyes, South Combe Barn, Devon (Solo)
2021 No Place like Home, Liminal Gallery curated by Louise Fitzjohn (Solo)
2021 The Top 100, The Auction Collective, London (Group)
2021 Imperfectionsim, Wonzimer, Los Angeles (Group)
Residencies
2022 Artist House Kadenowka, Rabka, Poland (Studio Paulina Olowska)
2022 Exeter Phoenix Gallery, Devon
You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do. Anyone found doing so will be subject to legal action.
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