Art on a Postcard International Women’s Day Auction - Curated by Vanessa Murrell

27 FEBRUARY 2024 - 12 MARCH 2024
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37. Zayn Qahtani

Lucky Fish

Jasmin pencil on paper

2024

A6 (10x15cm)

Original Artwork

Signed on Verso

This auction is raising proceeds for The Hepatitis C Trust

Curated by Vanessa Murrell

This auction has now ended

Art on a Postcard International Women’s Day Auction - Curated by Vanessa Murrell (37/37)

Notes


About

Zayn Qahtani is a multidisciplinary working between London and Bahrain. Qahtani’s body of work is a diligent effort at archiving a personal archaeological practice - works feel discovered rather than created, alluding to a life beyond the maker. This becomes apparent in Zayn’s use of materiality: papers crafted from date palm trees in Bahrain, bioplastics that come from sugarcane, and pigments borne from plants, crystals, metals and earth all intermingle to form objects and images that seem to be animated with a life of their own. 

Education 

Zayn is currently on the MA Sculpture programme at The Royal College of Art, London, UK (2024). She has completed The Drawing Intensive at The Royal Drawing School, London, UK (2022), and holds a BA in Fashion Design from The Royal University for Women, BH (2019).   

Select Exhibitions/Awards 

Selected Exhibitions include ‘Angels In Purgatory’, a solo show at VITRINE, London, UK (2023). Recent group exhibitions include work with institutions such as Guts Gallery, London, UK (2024); LAMPO Milano, Milan, Italy (2023); Leeds University Galleries (2023); Fondation Boghossian, Brussels, Belgium (2023); Arusha Gallery, Edinburgh, UK (2023). She has been resident at PLOP Residency, London, UK (2023); and An Effort Art Residency, London, UK (2023). Her work is held in public collections such as Dalloul Art Foundation, Beirut, Lebanon (2023); Soho House, London & Oxfordshire, (2022); and The Ned, Doha, Qatar (2022). 


 

You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do. 

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