Art on a Postcard Mini Auction Curated by Jack Trodd

25 MAY 2023 - 08 JUNE 2023
20. JURIT - The Flesh and the Answer 1 FRONT 20. JURIT - The Flesh and the Answer 1 BACK
20. JURIT - The Flesh and the Answer 1 FRONT
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20. JURIT

The Flesh and the Answer 1

Linocut and oil on paper

2023

A6 (10x15cm)

Original Artwork

Signed on Verso

This auction has now ended

Art on a Postcard Mini Auction Curated by Jack Trodd (20/105)

Notes


About 

Often but not always my paintings start with an aesthetic fascination for some sculptures, sketches or paintings of the renaissance or baroque times. In the series of entanglamentos, for example, I began on the canvas with sketches of paintings by Rubens, Caravaggio, and Tizian, which are connected by topic, composition, and color. And then the playing with composition starts which, in these paintings, led to a kind of reduction or dramatization of some basic elements in the originals. It is accompanied by the playing with color, building up the body of paint layer by layer until a certain intensity is reached. And then there is the playing with the figures and their relation to each other. Here too, a certain equilibrium of complexity and simplicity should be reached which brings the cognitive and emotional aspects to oscillate in strange and interesting ways. 

Education 

PhD in Sociology 

Select Exhibitions/Awards 

04-06.2023 Joy (group exhibition at the district court Leipzig) 
06.2023 Duo show at BetterGoSouth-Gallery, Berlin 
10.2023 missing linck (group exhibition at Museum Waldenburg) 

Statement about AOAP Submitted Artwork   

In case of the works elegy in joy and the flesh and the answer I started with a fast sketch on Linoleum. Then I painted over the print with oil colors. There is an open series of these paintings on paper. And the preoccupation with the spontaneously emerged motives led to oil paintings on canvas, too. There is one canvas of each motive at the moment. To be continued… 

 

You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do. 

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