Art on a Postcard International Women’s Day Auction - Curated by Mollie Barnes

23 FEBRUARY 2023 - 09 MARCH 2023
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20. Tanaka Mazivanhanga

(Untitled) Pastel Islands Series

Monotype

2023

A6 (10x15cm)

Original Artwork

Signed on Verso 

Curated by Mollie Barnes

This auction has now ended

Art on a Postcard International Women’s Day Auction - Curated by Mollie Barnes (20/37)

Notes


About 

Preserving memories of spaces and surfaces that one day may be lost is the essence of my practice. My work documents the surfaces, textures, marks and fragments of overlooked and forgotten relics of the urban landscape. I aim to draw out the details of the mundane and the everyday; to bring to the observer details and aspects they would not have previously acknowledged due to an automated familiarity. My works aims to evoke curiosity from the viewer by urging them slow down from their everyday lives, in order to think about things they otherwise do not engage with or think about their familiar in a new way. Rather than describing spaces, l challenge their perception by presenting them in an unfamiliar way, explored through my three main areas of focus - printmaking, casting and object making. 

 

Education 

2017-19 MA Visual Arts: Printmaking at Camberwell College of Arts, London 

2011-14 BA (Hons) Architecture at Kingston University, London  

2010-11 Foundation Studies in Art and Design at Havering College 

 

Select Exhibitions/Awards 

2021 artHARARE, Contemporary Online Fair 

2021 East London Printmakers Festival Of Print 2021, Art Pavilion, London 

2021 Woolwich Contemporary Print Fair, London 

2021 Celebrating Black History Month, Appleby Gallery, London 

2021 Un I Veiled, Brocket Gallery, London 

2021 Mayfair Art Weekend, London 

2021 My Love Is Your Love, Every Woman Biennial, London 

2020 Woolwich Contemporary Print Fair (Online), London 

2020 IG11 and RM10 Art Trail, London 

2019 Bainbridge Print Studio Award 

2019 East London Printmakers Award 

 

You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do. Anyone found doing so will be subject to legal action. 

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