Increments 1 & 2 take visual reference from studying graphs of seasonal daylight hours in Iceland and the subtle tonal contrast alludes to dwindling light in the dusk and dawn hours. The restrained gestural sweeping motions appear to challenge and disrupt the uniform linearity, to animate and activate the solid and static visual of the graph.
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2. Zanny MellorMemory Ablation III
Painting, 120 x 120 x 8 cm.